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澳門製造 ll — 999 互動式影院  
MADE IN MACAO ll — 999 Interactive Cinema

葡國導演António Nuno Júnior在離開澳門返回葡萄牙的前夕,創作了一部旅行誌——《999》。攝影機以既熟悉且陌生的旅行者視角,觀察澳門日常的街頭以及1999年回歸慶典的盛大場面,並捕捉了鄰近地區的街頭風景。當觀看這部作品中早已消失的風景,觀眾能如何再次參與旅行者的現場?經過25年後,本屆影展榮幸地為這部作品作澳門首映。本節目設有兩場放映:首場為互動式影院,觀影過程中將設有不同的互動環節,透過觀眾現場提供的影像、文字和聲音介入屏幕畫面。(導演也會以直播形式陪伴觀眾欣賞這部電影!)。第二場則為傳統放映,觀眾在不受介入的情況下觀賞電影。

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Portuguese director António Nuno Júnior created the travelogue work "999" on the eve of his departure from Macao back to Portugal. The camera adopts a familiar yet unfamiliar traveler's perspective, observing the daily streets of Macao and the grandeur of its celebrations, while also capturing the street scenes of nearby areas. How can the audience participate again in the traveler's presence? After 25 years, we’re honored to invite this film back for its premiere in Macao. This programme features two screenings: the first is an interactive cinema, where various interactive segments will be incorporated during the viewing process, inviting the audience to engage with the screen through images, text, and sounds provided on-site. (The director will also join the audience via live stream to enjoy the film together!) The second screening will follow a traditional format, allowing the audience to watch the film without any intervention.


999

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簡介 Synopsis:

 

《999》是安東尼奧·努諾·儒尼奧《澳門三部曲》的最終作品。在此作中,觀眾猶如獨自行走 一條看似隨意的路徑,穿過澳門、東京、香港、台北和北京等地。這條路徑從一個拍攝者的父親離世如此私人的事件開始,最後以一個公共且歷史性的事件——澳門的主權移交儀式結束。整部影片奠基於一種潛藏的張力:一方面展示了個人且私密的觀察視角,另一方面則是幾近全然客觀的城市公共空間。這種「失調」的結果使作品趨向抽象,卻又矛盾地立於具體現實的作品。因此,也許更適合將其理解為一種透過其他媒介實現的音樂式構作。

 

999, the closing volet of António Nuno Júnior’s so called Macau Triptych, is a touchstone film for the appraisal of the ensemble of the author’s work so far. In it the viewer is left alone facing a transversal and, apparently, random path that crosses through Macau, Tokyo, Hong Kong, Taipei and Beijing, that starts with a private event - the death of the author’s father - and culminates in a very public (and historical) happening - the sovereignty handover ceremony of Macau. The whole film rests upon a latent tension between the self-awareness of a personal, private and even cryptic observational standpoint and the representation of urban public spaces that are almost totally reduced to their physical, factual objectivity. The outcome of this ‘dissonance’ (mediated by some, literal, Wittgensteinian injections) is a piece verging on the abstract, but paradoxical in its concrete foundations. Maybe it can therefore be better understood as a musical composition by other means.

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1999|澳門、東京、台北、香港、及北京 Macau, Tokyo, Taipei, Hong Kong and Beijing|100’|彩色 Color |C 組 Group C 

導演.Dir.  António Nuno Júnior

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導演 Director  

António Nuno Júnior

António Nuno Júnior 於1967年出生在葡萄牙里斯本。他在澳門東亞大學學習葡萄牙語文(1989-91),並於1995年在里斯本的高等戲劇與電影學院獲得電影研究(剪輯)學位。自1997年以來,他一直從事數位時間藝術的創作。他曾教授劇本寫作、後期製作和數位媒體。

 

António Nuno Júnior was born in Lisbon, Portugal in 1967. Attended Portuguese Studies at the University of East Asia, Macau (1989-91), and graduated in Film Studies (Editing) at Escola Superior de Teatro e Cinema, Lisbon in 1995. He works in digital time-based arts since 1997. He has taught scriptwriting, post-production and digital media.

表演藝術家 Performance Artist

Rui Rasquinho 

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Rui Rasquinho 於1971年出生於里斯本,現居住和工作於里斯本和澳門之間。

 

他的創作處於西方和東方藝術傳統之間,形式包括繪畫、插圖、油畫、視頻和裝置藝術。在這些作品中,他探索抽象與具象之間的邊界可能性,反思藝術過程的本質以及不同媒介和實踐之間的通透性。最近,他開始探討與繪畫行為及其在聲音/聽覺之間的概念機制,創作聲音物件/裝置並在實驗音樂活動中現場演出。

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他亦從事動畫電影和紀錄片製作。從1997年到2001年,他參與了幾部由António Nuno Júnio 執導關於澳門的紀錄片。

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Rui Rasquinho, born in Lisbon in 1971, lives and works between Lisbon and Macau.​ Situated between Western and Eastern artistic traditions, his work manifests in drawing, illustration, painting, video, and installation. These are places where he investigates interstitial possibilities between abstraction and figuration, reflecting on the nature of the artistic process and the porosity between mediums and practices. Recently, he has been exploring conceptual mechanisms related to the act of drawing and its implications in sonic/auditory contexts, creating sound objects/installations and performing live in experimental music events.​ He has also developed work in animation cinema and documentary filmmaking. In the 1990s, Between 1997 and 2001, he worked on several documentary films about Macau directed by António Nuno Júnior,

​放映時間及場地 Screening date and Loccation

澳門紐曼樞機藝文館 CCCN MACAU

澳門紐曼樞機藝文館 CCCN MACAU

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